{"id":273,"date":"2016-03-02T11:36:39","date_gmt":"2016-03-02T09:36:39","guid":{"rendered":"http:\/\/www.candanturhan.com\/?p=273"},"modified":"2016-03-02T11:36:39","modified_gmt":"2016-03-02T09:36:39","slug":"yedi-gunde-alti-film-sekiz-sergi","status":"publish","type":"post","link":"https:\/\/www.candanturhan.com\/index.php\/2016\/03\/02\/yedi-gunde-alti-film-sekiz-sergi\/","title":{"rendered":"Yedi g\u00fcnde alt\u0131 film, sekiz sergi"},"content":{"rendered":"

Asl\u0131nda insan d\u0131\u015f\u0131ndaki unsurlar\u0131 epey doyurucu olabiliyor \u0130stanbul\u2019un; yi\u011fide hakk\u0131n\u0131 verelim, ne arad\u0131\u011f\u0131n\u0131, ne sevdi\u011fini bilen i\u00e7in zengin ve zenginle\u015ftiren bir yer bu \u015fehir…<\/strong><\/p><\/blockquote>\n

G\u00f6zl\u00fck geldi birden akl\u0131ma. Ben kamyonetimi alm\u0131\u015f, t\u0131ng\u0131r m\u0131ng\u0131r k\u00f6yden ge\u00e7erken herhangi bir yerde kar\u015f\u0131ma \u00e7\u0131kacak, trakt\u00f6r\u00fcn\u00fcn \u00fcst\u00fcnden samimi g\u00fcl\u00fcmsemesiyle ba\u011f\u0131racak: \u201cHojjgeldin yaw!\u201d \u201cHojjbulduk, n\u2019apars\u0131n be?\u201d diyece\u011fim ben de. K\u00f6y\u00fcn \u201cho\u015fgeldin\u201dini alm\u0131\u015f olaca\u011f\u0131m, G\u00f6zl\u00fck Mehmet\u2019in selam\u0131nda.<\/p>\n

Asl\u0131nda arabayla Sel\u00e7uk\u2019tan ge\u00e7erken ba\u015flayacak selamlanma fasl\u0131. \u015eirince sapa\u011f\u0131na d\u00f6nerken Sel\u00e7uk\u2019tan eski kom\u015fum Galip abiyle veya \u00e7\u00f6p\u00e7\u00fc Mustafa\u2019yla burun buruna gelip selamla\u015faca\u011f\u0131z belki. Sonra k\u00f6\u015fede dolmu\u015fu bekleyenlerden tan\u0131d\u0131k olursa alaca\u011f\u0131m. Demirci Mustafa\u2019n\u0131n evinin ordan ge\u00e7erken k\u00f6peklerine, ya da en az\u0131ndan kul\u00fcbelerine bakaca\u011f\u0131m. Ava \u00e7\u0131km\u0131\u015fsa gitmi\u015ftir hepsi kamyonete dolu\u015fup.<\/p>\n

Yolda bahar g\u00fcne\u015fiyle bah\u00e7elere yay\u0131lm\u0131\u015f olan Hatice ablalara korna \u00e7alaca\u011f\u0131m, \u0130smet abinin g\u00f6be\u011fini g\u00f6r\u00fcrsem etrafta. O s\u0131rada kar\u015f\u0131dan gelen dolmu\u015f\u00e7u, art\u0131k kimse o saatte, \u201cNerelerdesin yaw!\u201d niyetine birka\u00e7 selekt\u00f6r \u00e7akacak belki… Cumartesi turist g\u00fcn\u00fc, yine de kar\u015f\u0131dan gelen, k\u00f6yden inen arabalar\u0131n bir k\u0131sm\u0131 e\u015fraftan olacak, en az\u0131ndan bir kafayla selamlanacak yani.<\/p>\n

Otopark\u00e7\u0131 delikanl\u0131, k\u00f6y i\u00e7indeki kafeciler, kuruyemi\u015f\u00e7iler, herkesin bak\u0131\u015f\u0131nda bir nida: \u201cHah! Geldi i\u015fte…\u201d Nedense! Nedensiz asl\u0131nda. \u00d6ylesine. Gittiydi, eh i\u015fte geldi, yine aram\u0131zda. \u201cSevincin \u00f6\u011fretilmemi\u015f olan\u0131. Sonralar\u0131 onu yaratmak i\u00e7in nas\u0131l \u00e7abalad\u0131k!\u201d<\/p>\n

Bir ay, iki ay sonunda \u0130stanbul\u2019a geldi\u011fimde nas\u0131l bir k\u0131p\u0131rt\u0131 yarat\u0131yorum k\u00fc\u00e7\u00fck \u00e7evremde? Onu onla, elliyle falan \u00e7arp\u0131n, buraya bir hafta sonras\u0131nda d\u00f6nd\u00fc\u011f\u00fcmde yaratt\u0131\u011f\u0131m etki budur. Nas\u0131l d\u00f6nmek istemem bir an \u00f6nce buralara?!<\/p>\n

K\u00f6y meydan\u0131na gelece\u011fim sonra. Cumartesi kalabal\u0131\u011f\u0131n\u0131n ayaklar\u0131 dibinde belki, in\u015fallah, bir boz t\u00fcy y\u0131\u011f\u0131n\u0131. Isl\u0131\u011f\u0131mla \u015fa\u015fk\u0131na d\u00f6nen, karn\u0131ndan s\u00f6ylenerek kendini ayaklar\u0131ma atan bir Bozo. \u00c7\u0131naralt\u0131 kahveden uzanan kafalar, hal-hat\u0131r soran, haberler yeti\u015ftiren, \u00e7aylar ikram eden, zamanlar ay\u0131ran insanlar. Nedensizce, sadece ho\u015fluk olsun diye, yo \u00f6yle bir \u201cama\u00e7la\u201d da de\u011fil, sadece i\u00e7inden \u00f6yle geldi\u011fi i\u00e7in zaman\u0131n\u0131, enerjisini payla\u015fan insanlar. Payla\u015fmak do\u011falar\u0131nda var oldu\u011fu i\u00e7in. Do\u011falar\u0131 hesaps\u0131zca, safkan insanl\u0131k oldu\u011fu i\u00e7in, bildiklerince, becerebildiklerince payla\u015fan g\u00fczel insanlar.<\/p>\n

Hepimiz \u00f6yleydik de\u011fil mi, bir a\u015famada? Sonra okuduk, g\u00f6rd\u00fck, \u00f6\u011frendik, ya\u015fad\u0131k, se\u00e7tik, ay\u0131rd\u0131k, zenginle\u015ftik, medenile\u015ftik. Medeniyet bize zaman\u0131m\u0131z\u0131n k\u0131ymetini \u00f6\u011fretti, her\u015feyi be\u011fenmemeyi \u00f6\u011fretti, hayata kar\u015f\u0131 daha serinkanl\u0131 bir duru\u015f verdi bize. Biz de b\u00f6yle mesafeli, umursamaz, so\u011fuk, k\u0131s\u0131tl\u0131 insanlar haline geldik. Kabul ettik, medeni ve fakat co\u015fkusuz, zengin ama gergin insanlar olmay\u0131.<\/p>\n

Neyse ki medeniyetin hakiki g\u00fczellikleri de s\u0131zmay\u0131 ba\u015far\u0131yor hala hayat\u0131m\u0131za arada bir, benim gibi \u015fansl\u0131 olanlar\u0131m\u0131z\u0131 zenginle\u015ftirmek \u00fczere. Yedi g\u00fcnde alt\u0131 film, sekiz sergi, bir konser ile zenginle\u015fme f\u0131rsat\u0131n\u0131 yaratmak i\u00e7in ben de epey enerji harcad\u0131m ama hayat\u0131mdaki kimseyi harcamad\u0131m \u00e7ok \u015f\u00fck\u00fcr. Nas\u0131l yapt\u0131m bakay\u0131m hat\u0131rlayay\u0131m…<\/p>\n

Bir zamand\u0131r s\u00fcren ve ba\u015f\u0131ndan beri akl\u0131mda olan heykel sergisini nihayet nisan seferimde yakalamay\u0131 becerdim, \u00f6ncelikle: \u0130stanbul Modern\u2019deki modern heykel sergisi. T\u00fcrkiye\u2019de heykelin \u00f6nc\u00fcs\u00fc say\u0131lan 15 sanat\u00e7\u0131n\u0131n, az da de\u011fil, birer galeri dolusu yap\u0131t\u0131 birlikte sergileniyor. Heykelin ne kadar s\u0131n\u0131rs\u0131z, ne kadar u\u00e7suz bucaks\u0131z bir sanat dal\u0131 oldu\u011fu, b\u00fct\u00fcn bu heykelleri birarada g\u00f6r\u00fcnce daha \u00e7arp\u0131c\u0131 \u015fekilde ortaya \u00e7\u0131k\u0131yor. Boyutlar\u0131, malzemesi, i\u015flevselli\u011fi, hareketlili\u011fi, mekanizmalar\u0131, \u00fc\u00e7 boyutu sonsuz ve ayn\u0131 zamanda zamans\u0131z bir alana \u00e7eviriyor heykeli. B\u00fct\u00fcn bu \u00f6zellikleri \u00f6zetleyen heykeli anlatabilirim mesela hemen: Basit bir\u00a0 ayak \u00fczerinde dik duran, 1.5 metre y\u00fcksekli\u011finde, ince siyah bir demir \u00e7ubuk. \u015eadi \u00c7al\u0131k 1957\u2019de yapm\u0131\u015f bu heykeli; ad\u0131n\u0131 da \u201cminimum\u201d koymu\u015f. \u0130\u015fte, daha ne olsun!<\/p>\n

Ayn\u0131 zamanlarda Galatasaray\u2019daki Yap\u0131 Kredi galerilerinden birinde de Z\u00fcht\u00fc M\u00fcrido\u011flu\u2019nun retrospektif sergisi vard\u0131; heykele olan bu ani ve beklenmedik ilgi nedense?.. M\u00fcrido\u011flu\u2019nun her t\u00fcrl\u00fc duru\u015f, y\u00fckseli\u015f, inceli\u015fteki bronz dans eden kad\u0131nlar\u0131, Naz\u0131m Hikmet\u2019in kad\u0131nlar hakk\u0131ndaki dizelerini hat\u0131rlat\u0131yordu: \u201cVe kad\u0131nlar \/ bizim kad\u0131nlar\u0131m\u0131z \/ korkun\u00e7 ve m\u00fcbarek elleri…\u201dni. Kurtulu\u015f Sava\u015f\u0131 Destan\u0131\u2019n\u0131n o bab\u0131n\u0131n Sel\u00e7uk meydan\u0131na, \u201cme\u00e7hul asker an\u0131t\u0131\u201d gibi isimsiz ama muhte\u015fem, vakur edas\u0131yla hakim olan mermer heykelde kaz\u0131l\u0131 oldu\u011funu; \u201cAte\u015fi ve ihaneti g\u00f6rd\u00fck…\u201d diye ba\u015flayan dizelerin insan\u0131n i\u00e7i titremeden okunamad\u0131\u011f\u0131n\u0131.<\/p>\n

\u0130stanbul Modern bir ge\u00e7ici sergiye daha ev sahipli\u011fi yap\u0131yordu: 1950\u2019lerden \u0130stanbul\/T\u00fcrkiye manzaralar\u0131yla Othmar Pferschy foto\u011fraflar\u0131na. Ne tekni\u011fine, ne g\u00f6z\u00fcne sahip olabildikleri bu \u00e7arp\u0131c\u0131 foto\u011fraf sanat\u00e7\u0131s\u0131n\u0131 bir mektupla tehdit etmekte beis g\u00f6rmeyen Ankaral\u0131 foto\u011fraf\u00e7\u0131lar\u0131n yazd\u0131\u011f\u0131 ismiyle \u201cOtmar Fer\u015fi\u201d, siyah-beyaz g\u00f6r\u00fcnt\u00fclerinin sadeli\u011fiyle insan\u0131 b\u00fcy\u00fcl\u00fcyor. As\u0131l \u00e7arp\u0131c\u0131 olan foto\u011fraflar\u0131n g\u00f6r\u00fcnt\u00fc olarak netli\u011fi mi, i\u00e7erik olarak netli\u011fi mi, ay\u0131rt edilemiyor. Bir TBMM foto\u011fraf\u0131n\u0131n s\u0131rr\u0131 mesela, bizi o b\u00fcy\u00fckl\u00fckte, o g\u00fczellikte \u015feylerin bize uzak, yabanc\u0131 ve hayranl\u0131k uyand\u0131r\u0131c\u0131 oldu\u011fu g\u00fcnlere geri g\u00f6t\u00fcrmesi sanki…<\/p>\n

Galeri Nev\u2019de \u00e7ok ho\u015f, yumu\u015fak eserleriyle sevdi\u011fimiz Melek Maz\u0131c\u0131\u2019n\u0131n birka\u00e7 \u201ci\u015f\u201dini, Mac\u2019da Seyhan Topuz\u2019un \u201csanat, sanat i\u00e7indir\u201d d\u00fcsturuna \u015f\u00fcphe pay\u0131 b\u0131rakmayan heykellerini g\u00f6rd\u00fcm; g\u00f6rd\u00fcm de ne oldu, hi\u00e7. Olabilir, bu da normal; sanatta insan sevmediklerini de g\u00f6rmeli ki sevdiklerini, ona hitap edenleri ay\u0131rt edebilsin. Sonra arada bir k\u00f6t\u00fc sanat galerileri de g\u00f6rmeli ki Galeri Nev, Artisan gibi iyilerinin de\u011ferini bilsin: \u00d6rne\u011fin \u00c7a\u011fla Cabao\u011flu Sanat Galerisi.<\/p>\n

Harika bir sergi, harika eserler var; ressam Nurhan Giz \u0131\u015f\u0131kla oynam\u0131\u015f, b\u00f6lm\u00fc\u015f par\u00e7alam\u0131\u015f \u015fekillere sokmu\u015f, insan\u0131n \u00f6yle oturup seyredesi geliyor; ama ne m\u00fcmk\u00fcn! Bir tak\u0131m gen\u00e7 ve konu\u015fkan insanlar sosyal faaliyet i\u00e7indeler; yiyecekler geliyor, i\u00e7ecekler gidiyor; sanki bir reklam ajans\u0131 ofisindeyiz. Herkes galeriyi gezen, tablolara bakan ki\u015fiye tuhaf tuhaf bak\u0131yor, bu da ne ar\u0131yor burada gibisinden, ve kafas\u0131n\u0131 \u00e7eviriyor; o kadar insandan bir ho\u015fgeldiniz, merhaba falan \u00e7\u0131km\u0131yor. Ha, tablolar da kar\u0131\u015f\u0131k olarak numaral\u0131 bu arada: Ba\u015ftan mesela 3 ile ba\u015fl\u0131yor, ard\u0131ndan 1, 2 geliyor, sonra 7, ard\u0131ndan 5, 6… Bir k\u0131sm\u0131 duvarlara dayanm\u0131\u015f. \u0130\u00e7ler ac\u0131s\u0131 bir durum; insan bunu g\u00f6rmese sanat galerisinin k\u00f6t\u00fcs\u00fc de nas\u0131l olurmu\u015f, der…<\/p>\n

Her neyse! G\u00f6rebildi\u011fim bir di\u011fer harika sergi de yak\u0131n zamanda tesad\u00fcfen mimledi\u011fim ressam Valerie \u00c7elebi\u2019ninki oldu; hem de Artisan\u2019\u0131n, ho\u015fgeldiniz demek ve sergi katalogu hediye etmek gibi basit jestlerle kalbimi kazanan ger\u00e7ek galericileri sayesinde zevkle oturup izleyebildi\u011fim bir sergi. Grafiker Yossi Lemel\u2019in Garanti Galeri\u2019de sergilenen afi\u015fleri ise \u00c7elebi\u2019nin renkli, kutu kutu manzaralar\u0131ndan tamamen uzak bir k\u00f6\u015fede yar\u0131\u015f\u0131yordu tabii – Filistin, \u0130srail, ayr\u0131l\u0131k, karde\u015flik, sava\u015f, kan, y\u0131k\u0131m. Zor ko\u015fullar, farkl\u0131 insanlar do\u011furuyor; bu da yarat\u0131lanlarda ortaya \u00e7\u0131k\u0131yor anla\u015f\u0131lan…<\/p>\n

Geldik filmlere: Y\u0131llard\u0131r g\u00f6r\u00fclecekler listemde klasik bir yer edinmi\u015f olarak bekleyen Paris, Texas nihayet g\u00f6r\u00fcld\u00fc; yerini haketti\u011fi, blues deyince, yol filmi deyince, Amerika deyince akla ilk gelecek filmlerden oldu\u011fu anla\u015f\u0131ld\u0131. (Wim Wenders\u2019in diyece\u011fini 1.5 – 2 saat gibi makul bir s\u00fcrede ni\u00e7in demedi\u011fi ise hala anla\u015f\u0131lamad\u0131, o ayr\u0131!)<\/p>\n

Festivalin a\u00e7\u0131l\u0131\u015f filmleri genelde hem \u00e7ok g\u00fczel, hem \u00e7ok dolu olur, ve \u015fans\u0131m\u0131z varsa belki 1-2 sene i\u00e7inde vizyona girer; bu sefer nas\u0131l olduysa a\u00e7\u0131l\u0131\u015f filmi Joyeux Noel festival esnas\u0131nda vizyondayd\u0131, ve iyi ki de \u00f6yleydi… Bu kadar tatl\u0131, esprili bir sava\u015f filmi g\u00f6rd\u00fc\u011f\u00fcm i\u00e7in \u015fansl\u0131 say\u0131yorum kendimi; hala hat\u0131rlay\u0131p g\u00fcld\u00fc\u011f\u00fcm sahneleri olan \u00f6zg\u00fcn bir film. Y\u0131l 2006, \u00f6zg\u00fcn olup zorlama olmayan eser bulmak zor!<\/p>\n

Festival ba\u015flad\u0131ktan sonra bilet almaya kalkan birinin, John Turturro\u2019nun A\u015fk ve Sigara\u2019s\u0131na bilet bulma \u015fans\u0131 ne kadard\u0131r?.. Ben o kadar \u015fansl\u0131yd\u0131m! 2046\u2019ya bilet ararken kar\u015f\u0131ma, az sonra ba\u015flayacak A\u015fk ve Sigara i\u00e7in bilet satan biri \u00e7\u0131k\u0131verdi; 2.5 YTL kar\u015f\u0131l\u0131\u011f\u0131nda be\u015f dakika sonra sinir bozucu Atlas sinemas\u0131nda hi\u00e7 sinirim bozulmadan, hatta a\u011fz\u0131m kulaklar\u0131mda oturuyordum…<\/p>\n

Ve bunlardan ba\u015fka fazlaca uzayan ve \u201csosyal i\u00e7erikli mesaj veren\u201d G\u00fcneye Do\u011fru, ad\u0131na ve a\u011f\u0131rl\u0131\u011f\u0131na bay\u0131ld\u0131\u011f\u0131m \u00f6l\u00fcm filmi Le Temps Qui Reste, Do\u011fu Avrupa\u2019dan s\u0131cak, olumlu filmler de \u00e7\u0131kabildi\u011fine \u00f6rnek (evet ger\u00e7ekten!) Cennetten Bir Par\u00e7a vard\u0131 festival program\u0131mda. Her biri g\u00fcnd\u00fcz saatlerinde oldu\u011fundan 2.5 YTL\u2019lik bilet kar\u015f\u0131l\u0131\u011f\u0131nda, arada bir profiterol, ka\u015farl\u0131 simit veya \u00e7ok\u00e7ikolatal\u0131 muffin ile birlikte al\u0131nmak \u00fczere.<\/p>\n

\u0130stanbul programlar\u0131yla alakas\u0131 olmasa da, bir de Beckett hakk\u0131nda bir \u015fey okudum nedense, neredeyse, bu faaliyetlerim aras\u0131nda akl\u0131ma gelen: Godot\u2019yu ve hayat\u0131n g\u00fcl\u00fcn\u00e7l\u00fc\u011f\u00fcn\u00fc, anlams\u0131zl\u0131\u011f\u0131n\u0131 hat\u0131rlatan. Oysa biz, hayat\u0131 ciddiye almak \u00fczere yeti\u015ftirilmi\u015ftik! Ona g\u00f6reyse hayat, \u201calelade i\u015fler\u201dden olu\u015fuyordu. \u201cHep denedin, hep yenildin. Olsun, yine dene, yine yenil. Daha iyi yenil,\u201d diyordu.<\/p>\n

Alelade bir g\u00fcn anlatay\u0131m o halde bir de, nisan istanbul seferinden son olarak: Ya\u011fmura, so\u011fu\u011fa ve yorgunlu\u011fa yenilmeyen, tatl\u0131 bir hazla son bulan uzun bir g\u00fcn. Bo\u011faz nahiyesinde arkada\u015flarla yap\u0131lan sonsuz bir kahvalt\u0131yla ba\u015flamas\u0131 bile ba\u015fl\u0131ba\u015f\u0131na bir g\u00fczellikti zaten. Sonra ya\u011fmura, pusa, kapal\u0131 mekan iste\u011fine ra\u011fmen yollara d\u00f6k\u00fcl\u00fcnd\u00fc: Program aksat\u0131lmaz, arkada\u015flar bekletilmezdi. Hedef, garip ama ger\u00e7ek, Unkapan\u0131\u2019yd\u0131.<\/p>\n

Otob\u00fcs bulana kadar y\u00fcr\u00fcnd\u00fc, otob\u00fcs de ancak Emin\u00f6n\u00fc\u2019ne vard\u0131, oradan Unkapan\u0131\u2019na nas\u0131l gidilecekti, \u0131slanm\u0131\u015f pantalon bacaklar\u0131 \u00fc\u015f\u00fct\u00fcyor ve can s\u0131k\u0131yordu… Ba\u015fa gelen \u00e7ekildi, akla gelmi\u015fken madem vas\u0131ta gelmiyor denerek kar\u015f\u0131ya ge\u00e7ilip Tahtakale\u2019den gerekli bir \u015feyler al\u0131nd\u0131, o arada Unkapan\u0131\u2019ndan ge\u00e7en otob\u00fcse rastland\u0131, arkada\u015flar\u0131n geli\u015fine kadar olan 5 dakika da de\u011ferlendirilerek \u0130M\u00c7\u2019ye girilip gerekli bir \u015fey daha al\u0131n\u0131verdi…<\/p>\n

Arkada\u015flar gelince her \u015fey tekrar bir \u015fenlendi tabii; ahmak \u0131slatanda \u0131slan\u0131lmad\u0131 art\u0131k, g\u00fcl\u00fcp s\u00f6yleyerek Fatih kad\u0131nlar pazar\u0131ndan, kasaplar merkezinden, sokakta as\u0131l\u0131 dizi dizi karkas\u0131n aras\u0131ndan, Do\u011fu Anadolu nehirlerinden getirilmi\u015f yunus b\u00fcy\u00fckl\u00fc\u011f\u00fcnde sazan bal\u0131\u011f\u0131n\u0131n yan\u0131ndan ge\u00e7ildi, \u201cBuyrun efeniiim!\u201dler aras\u0131nda Siirtli me\u015fhur b\u00fcryanc\u0131 \u015eeref\u2019in aile salonuna girildi. Siirtli k\u0131z\u0131l gen\u00e7 belki 1782\u2019nci kez ve yine keyifle b\u00fcryan kebab\u0131n\u0131n nas\u0131l yap\u0131ld\u0131\u011f\u0131n\u0131 anlat\u0131p sipari\u015f ald\u0131, yemek gelene kadar laflayarak oyaland\u0131ktan sonra hu\u015fu i\u00e7inde b\u00fcryan ve her\u015feyli perde pilav\u0131 yendi, \u00fcst\u00fcne sayg\u0131yla \u00e7ay i\u00e7ildi. Nihayet b\u00fcryan salonu isteksizce ama mecburen terk edildi…<\/p>\n

Civar\u0131 bilen arkada\u015flar sayesinde Fatih\u2019ten S\u00fcleymaniye\u2019ye do\u011fru y\u00fcr\u00fcnd\u00fc, her birimizin \u00e7ocukken bisiklet almaya geldi\u011fi Ha\u015fim \u0130\u015f\u00e7an Ge\u00e7idi\u2019nden de ge\u00e7ilerek. S\u00fcleymaniye Camii ve k\u00fclliyesinin k\u00f6\u015fesinde ise bizi \u0131srarla i\u00e7eri \u00e7a\u011f\u0131ran, oralar\u0131n me\u015fhur \u201ckurucu\u201dsu vard\u0131. B\u00fcryan sofras\u0131ndan hen\u00fcz k\u0131sa bir y\u00fcr\u00fcy\u00fc\u015f boyu uzakla\u015fm\u0131\u015f olmam\u0131za ra\u011fmen, \u00e7iseleyen o pis ya\u011fmurdan, o \u00e7amurlu sokaklardan kendimizi camlar\u0131 kuru fasulye s\u0131cakl\u0131\u011f\u0131yla bu\u011fulu d\u00fckkana atmamam\u0131z ciddi bir irade g\u00f6sterisidir, dikkatinizi \u00e7ekerim… Hele de di\u011fer se\u00e7ene\u011fimiz, b\u00fcy\u00fcleyici atmosferi bir yana, bay\u0131lt\u0131c\u0131 kokulu S\u00fcleymaniye iken!<\/p>\n

Ama herhalde S\u00fcleymaniye Camii\u2019ne de en \u00e7ok b\u00f6yle havalar yara\u015f\u0131r: Karanl\u0131k, umutsuz, s\u0131radan. \u0130\u00e7eri girersin, dev \u015famdanlar, dev s\u00fctunlar, dev gibi bir Allah kar\u015f\u0131lar seni; ufak, s\u0131radan, basit bir varl\u0131k oldu\u011funu fark etmen i\u00e7in insan\u00fcst\u00fc s\u00fcslenmi\u015f, insan\u00fcst\u00fc b\u00fcy\u00fckl\u00fckteki ibadethanede. \u0130nsan gayriihtiyari yukar\u0131lara bakar hep; g\u00f6zleri a\u015fa\u011f\u0131 kayd\u0131\u011f\u0131ndaysa c\u00fccele\u015fmi\u015f iki ayakl\u0131lara \u015fa\u015f\u0131r\u0131r. S\u0131n\u0131rs\u0131z bir s\u00fcre ge\u00e7irilebilir S\u00fcleymaniye gibi bir camiide… Pantalonlar \u0131slak, ayaklar \u00fc\u015f\u00fcyor olmasa hele!<\/p>\n

Neticede kuru ve s\u0131cak bir yer bulmak m\u00fcmk\u00fcn m\u00fc, sorusuyla tekrar yola \u00e7\u0131k\u0131yoruz. Sahaflardan ge\u00e7mi\u015f, Cafer A\u011fa Medresesi\u2019ne var\u0131p bir T\u00fcrk kahvesi h\u00f6p\u00fcrdetmeyi d\u00fc\u015f\u00fcn\u00fcrken Kapal\u0131\u00e7ar\u015f\u0131 yolumuzu kesiyor, hem de Fez Kafe\u2019ye yak\u0131n kap\u0131lar\u0131ndan biriyle. Ve sonra Fez Kafe\u2019nin k\u00fc\u00e7\u00fcc\u00fck, tu\u011fla oyu\u011funda sevimli elemanlar\u0131yla kahve i\u00e7iliyor, Simon Han\u0131m\u2019\u0131n pastalar\u0131ndan yeniyor, kom\u015fu d\u00fckkandan \u00e7ok \u015f\u0131k, hakiki pe\u015ftemaller ve eski tip fileler falan al\u0131n\u0131yor…<\/p>\n

Art\u0131k konser saati yakla\u015fmakta ve hatta \u00e7ar\u015f\u0131 da kapanmakta; a\u00e7\u0131k b\u0131rak\u0131lan kap\u0131y\u0131 zar-zor bulup kendimizi \u00c7emberlita\u015f\u2019a at\u0131yoruz. Tramvay h\u0131zl\u0131 bir hamleyle bizi Sultanahmet Meydan\u0131\u2019na ula\u015ft\u0131r\u0131yor; biz de h\u0131zl\u0131 ama tela\u015fs\u0131z ad\u0131mlarla Tuluyhan U\u011furlu\u2019nun \u201cD\u00fcnya Ba\u015fkenti \u0130stanbul\u201d konserini izlemek \u00fczere Aya \u0130rini\u2019ye var\u0131yoruz. Aya \u0130rini her zamanki gibi sakin, zarif, vakur. Ne kadar hareketli bir m\u00fczik, ne t\u00fcr bir izdiham olursa olsun Aya \u0130rini s\u00fckunetini hi\u00e7 bozmaz zaten…<\/p>\n

Zaten Tuluyhan U\u011furlu\u2019nun notalar\u0131 da ona yak\u0131\u015fan zerafette; m\u00fcezzini, sinagog ve kilise solistleri, b\u00fcy\u00fcleyici davulcular\u0131yla birlikte. Piyanosuyla \u00f6zel bir ba\u011flant\u0131 kurar U\u011furlu, \u00f6zg\u00fcn m\u00fczi\u011fini kendine g\u00f6re icra eder, tarihe, \u00fclkesine duydu\u011fu hayranl\u0131\u011f\u0131, h\u00fcrmeti payla\u015f\u0131r, hem m\u00fczi\u011fiyle hem sundu\u011fu g\u00f6r\u00fcnt\u00fclerle, anlat\u0131larla – piyano ba\u015f\u0131ndayken, Muppet Show\u2019da kulaklar\u0131 sallanarak piyano \u00e7alan sevimli k\u00f6pe\u011fe benzemesi bile zedelemez durumu…<\/p>\n

Ve mutlu, tatmin olmu\u015f insanlar bo\u015fal\u0131r Aya \u0130rini\u2019den saray bah\u00e7esine, nisan gecesine. Sohbet bitmemi\u015ftir daha; hem Sultan Pub ziyaret edilmeden Sultanahmet terk edilir mi? G\u00fcn\u00fcn en s\u0131cak ortam\u0131na sahip barda birer yolluk al\u0131n\u0131r, laflar tamamlan\u0131r, yorumlar yap\u0131l\u0131r, nihayet kadere boyun e\u011filir, g\u00fcn\u00fcn bitti\u011fi, bitmesi icap etti\u011fi kabul edilir, istenirse b\u00f6yle b\u00f6yle daha ba\u015fka g\u00fcnler de olabilece\u011fi…<\/p>\n

(nisan 2006)<\/p>\n","protected":false},"excerpt":{"rendered":"

Asl\u0131nda insan d\u0131\u015f\u0131ndaki unsurlar\u0131 epey doyurucu olabiliyor \u0130stanbul\u2019un; yi\u011fide hakk\u0131n\u0131 verelim, ne arad\u0131\u011f\u0131n\u0131, ne sevdi\u011fini bilen i\u00e7in zengin ve zenginle\u015ftiren bir yer bu \u015fehir… G\u00f6zl\u00fck…<\/p>\n

Devam\u0131 i\u00e7in…Yedi g\u00fcnde alt\u0131 film, sekiz sergi<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/posts\/273"}],"collection":[{"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/comments?post=273"}],"version-history":[{"count":1,"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/posts\/273\/revisions"}],"predecessor-version":[{"id":274,"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/posts\/273\/revisions\/274"}],"wp:attachment":[{"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/media?parent=273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/categories?post=273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.candanturhan.com\/index.php\/wp-json\/wp\/v2\/tags?post=273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}